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"The Price is one of the most engrossing and entertaining plays that Miller has ever written." - The New Uork Times When patriarch of the Franz family dies, his two sons return home to dispose of the furniture crammed in his attic: one is a successful surgeon, the other gave up everything to support their father following the Great Depression. As the pair sort through these abandoned belongings, frustrations, secrets and surprise guests are uncovered. With its touching and farcical presentation of American life beyond the Vietnam War and Great Depression, The Price is widely recognised as one of Miller's major works, earning him a Tony Award nomination in 1968. This Methuen Drama Student Edition is edited by Yuko Kurahashi, with commentary and notes that explore the play's production history (including excerpts from interviews with the director and designers of the 2017 Arena Stage production) as well as the dramatic, thematic and academic debates that surround it.
Arthur Miller was born in New York City in 1915. After graduating from the University of Michigan, he began work with the Federal Theatre Project. His first Broadway hit was All My Sons, closely followed by Death of a Salesman, The Crucible and A View from the Bridge. His other writing includes Focus, a novel; The Misfits, first published as a short story, then as a cinema novel; In Russia, In the Country, Chinese Encounters (all in collaboration with his wife, photographer Inge Morath) and 'Salesman' in Beijing, non-fiction; and his autobiography, Timebends, published in 1987. Among his other plays are: Incident At Vichy, The Creation of the World and Other Business, The American Clock, The Last Yankee, and Resurrection Blues. His novella, Plain Girl, was published in 1995 and his second collection of short stories, Presence, in 2007. He died in February 2005 aged eighty-nine.Susan Abbotson is Professor of English at Rhode Island College, where she mostly teaches drama. She is the author of Student Companion to Arthur Miller (2000) and A Critical Companion to Arthur Miller (2007) and numerous articles on Arthur Miller and other modern and contemporary playwrights. Past President of the Arthur Miller Society, she now manages their website and FaceBook page, and is the Performance Editor for the Arthur Miller Journal. She also authored Thematic Guide to Modern Drama (2003), Masterpieces of Twentieth Century American Drama (2005), and Modern American Drama: Playwriting in the 1950s (2019). She has published articles on Sam Shepard, Tom Stoppard, Mae West, Tennessee Williams, Thornton Wilder, August Wilson, Eugene O'Neill, Lillian Hellman, and Paula Vogel in a variety of books and journals.Yuko Kurahashi is Professor of Theatre in the School of Theatre and Dance at Kent State University, US. Her areas of speciality include multicultural theatre, community-based theatre and intercultural theatre. She is author of Asian American Culture on Stage: The History of the East West Players (1999) and Multicultural Theatre (2004 and 2006).