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This book explores the relations between poetry and painting in ekphrastic poems by tracing the development of literary ekphrasis and the evolving ekphrastic relation between painting and poetry. The self-reflexivity of the poems is analysed after critical writings and in the light of the latest neuroscientific discoveries.
Emily Bilman is a poet and literary critic in Geneva. She earned her PhD from East Anglia University, where she taught literature. She contributes regularly to literary magazines with interdisciplinary articles. Her book of poems in French is entitled La rivière desoi. Her poems were published in T. S. Eliot Journal, The LondonMagazine, Hunger Mountain, Exchanges, Offshoots, Orbis, and The Princeton Alumni Weekly. Her doctoral thesis is published as The Psychodynamics of Poetry.