Celluloid Subjects to Digital Directors
This book is based on a study of Australian documentary films produced by and about Aboriginal and Torres Strait Islanders since the early twentieth century. The book aims to expose the course of race relations in Australia in documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation.
This book is based on a study of Australian documentary films produced by and about Aboriginal and Torres Strait Islanders since the early twentieth century. The book aims to expose the course of race relations in Australia in documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation.
| Autor: | Debenham, Jennifer |
|---|---|
| ISBN: | 9781789974782 |
| Auflage: | 1 |
| Sprache: | Englisch |
| Seitenzahl: | 232 |
| Produktart: | Gebunden |
| Verlag: | Peter Lang Ltd. International Academic Publishers |
| Veröffentlicht: | 28.04.2020 |
| Untertitel: | Changing Aboriginalities and Australian Documentary Film, 1901–2017 |
| Schlagworte: | 1901–2017 Aboriginal History Aboriginal and Torres Strait Islanders Aboriginal filmmakers Aboriginalities Australian Australian politics Australian social attitudes Celluloid Changing |
Jennifer Debenham holds a doctorate in Australian History from the University of Newcastle, Australia. She has lectured and tutored Australian history and sociology. She is currently a Conjoint Lecturer and Senior Research Assistant at the Centre for the History of Violence at the University of Newcastle, Australia. Her interests are in early contact histories, mythology, representation, memory and race. Previous publications include The Australia Day Regatta, co-authored with Christine Cheater (2014), and the online publication Colonial Frontier Massacres in Eastern Australia, 1788–1872, coauthored with Lyndall Ryan, William Pascoe and Mark Brown (2017).