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This book discusses how from their different backgrounds and on different levels, the German philosopher, sociologist and musicologist,Theodor W. Adorno, (1903-1969) and the Irish playwright, Brian Friel,(1929-2015) came to the conclusion that the modern crisis rendered art’s affirmative essence, like all positivistic fixations, obsolete.
Christa Velten-Mrowka, born in Limburg, Germany, taught English language and literature and philosophy at Senior Secondary Schools near Frankfurt a. M. In the 1960s she was a student of Adorno and Max Horkheimer at Frankfurt’s Goethe-University. A long-term member of IASIL she published essays on Brian Friel.