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Furniture is a unique witness to the transformations of private and public experience amidst the upheavals of the 20th century. How we work, rest and play are determined by the embodied encounter with furniture, defining and projecting a sense of identity and status, responding to and exemplifying contrasting social conditions, political and economic motivations, aesthetic predilections and debates. Assessing physical and archival evidence drawn from a spectrum of iconic and under-represented case studies, an international team of design historians collaborate in this volume to explore key methodological questions about how the production, consumption and mediation of furniture reveal shifting cultural habits and histories across diverse contexts amidst modernity. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
Megan Aldrich is adjunct Professor at Richmond the International American University and a part-time tutor at the Department of Continuing Education, University of Oxford; she lectures, writes and teaches aspects of architectural and design history, including interiors and furniture, and consults in the heritage sector. Recent publications include Antiquaries and Archaists: the past in the past, the past in the present (Spire Books, 2009); Art and Authenticity (Lund Humphries, 2012); Thomas Rickman and the Victorians (Victorian Society, 2019); and articles in the journals of Garden History (2016), and Furniture History (2018). She is a Fellow of the Society of Antiquaries.San Jose State University, USA